Sheean’s memoir of his experiences in China and Soviet Russia was a bestseller during his lifetime, as was his biography of Thompson’s marriage to the Nobel Prize-winning novelist Sinclair Lewis. Their disagreements, approaches to getting stories, excessive drinking, infidelities, ambitions, achievements and disappointments are covered in detail-as well as their interactions with figures such as Adolf Hitler, Benito Mussolini, Mahatma Gandhi, Leon Trotsky, Sigmund Freud, Jawaharlal Nehru and Josef Stalin’s mother. Drawing from abundant primary sources, Cohen brings these four reporters, as well as Gunther’s wife, Frances, vividly to life in Last Call at the Hotel Imperial.

Knickerbocker, felt the need to go beyond objective reporting and convey what they thought and felt about the rise of dictators and the strong chance of war, which set their reporting apart. John Gunther described their profession by saying, “We were scavengers, buzzards, out to get the news, no matter whose wings got clipped.” These two journalists, plus Vincent “Jimmy” Sheean and H.R. In her luminous, extensively researched and beautifully written Last Call at the Hotel Imperial: The Reporters Who Took on a World at War, historian Deborah Cohen brilliantly captures the complicated personal and professional lives of that period’s four most influential journalists, all close friends, who witnessed the rise of fascism and communism, the powder keg of the Middle East after the Balfour Declaration and much more.ĭorothy Thompson saw journalism as her era’s “most representative form of letters,” as the theater or the novel had been for other periods. As a result, what Americans understood about world events in the 1920s, ’30s and ’40s came largely from these U.S. By contrast, foreign correspondents became more concerned with international politics and began to venture abroad more often. The so-called lost generation of American writers and other expatriates began to return home in the late 1920s.

Last call at the hotel imperial